Monday, June 12, 2017

Kinsley WEA Writing Group


Using hats from the handling collection as inspiration for a short piece of writing.

In May 2017, the Kinsley WEA Creative Writing group had a visit from Wakefield Museums to provide objects for inspiration. A box of hats from the museums handling collections were taken to the group and after discussion and handling the hats the group were tasked with creating a short piece of creative writing. 

We invited the group to share their work via our blog and here are some of the pieces of creative writing and memories recalled.



Marjorie Lacy

The Brown felt hat with ribbon and feather!

This hat reminded me of my mum, around about 1940/1950s. Mum had a similar one. It matched perfectly the brown and green check coat she wore.

Mum would have made the coat herself; Uncle Billy, who was a tailor would have sourced the material for her and also have cut it out for her. As an ex-machinist for Montague Burton’s factory in Leeds, mum would have sewn the pieces together. Auntie Madge would have done the ‘finishing off’ of the collar, buttons and tie belt, then pressing it. - The making of the coat was a real family affair!

When mum put the coat on, she was very happy with it, then she decided it needed a hat to complete the ‘look’. We went to the hat shop on Harehills Lane, it was next door to our Doctors Surgery. Mum tried several hats on, we laughed at them knowing they were not ‘the ones’.

The milliner handed her a brown woollen felt hat with green trimmings. It was just right, the hat colours blended perfectly with the colours of the check coat. As Grandma Precious said later, ‘You look a right Bobby Dazzler!’

 

Something Blue

By

Caroline Devonport

The blue and white striped box, so beautiful it must contain beauty. I slide the string handle off, lift the lid. The excitement builds, my palms are slightly clammy. Unfolding the tissue, I’m desperate to see what it contains. I know, but still the excitement of seeing it for the first time.

I close my eyes to remove the last layer, reach and grasp the soft silky fabric, feel the firmer body below. Gently carefully, my eyes still closed I lift it from the box.

I can feel the folds of material stroke and tease my hands, but I don’t look even a peek. I slowly slide it onto my head. Facing the mirror, I open my eyes gradually, wanting to take in every detail as I do.

A blue silk Halo meets my eyes; tiny pearl beads frame it catching the light in a milky glow. Turning my head slightly to the right now a beaded flower catches my eye, supporting the ostrich feathers of gray and blue. The bonnet's outside it's stripped silk of silver and blue, the inside of the brim, pale blue silk, the same silk as my gown. A lighter blue silk ribbon wraps around the hat, tied at the nape of the neck.

Perfect just perfect.

I Remove the bonnet and position it on the wig stand, before pulling out my veil, and the glass headed pins. Folding, tucking and pinning as I go I gently attach the antique veil to the brim.

Ready, ready for my big day.
 

MY HATS     by Susan McCartney

 

I have hats for all seasons

Hats for no reasons

Apart from I love them

Cannot get enough of them

I’ve got loads of hats

More hats than cats

I’m a serious mad-hatter

And what does it matter

Whatever the weather

A hat with a feather

Makes me feel better

So I’m a real go-getter

But daughter Kate’s opinion

Is that I look like a silly ‘un

She says of the tan one

That I need to chuck it

‘Cos I look like Hyacinth Bucket

She’s doesn’t mean I look like a prat

I know the truth

SHE wants that hat

She says with a sigh

And a gleam in her eye

I look like Michael Jackson

With my black felt hat on

But let me tell you

SHE wants that one too

She’s right about one though

The green feathered has to go

Makes me look like Robin Hood

A style that’s never good

A hat that was once the rage

Of ladies of a certain age

Give me hats for all reasons

Give me hats for all seasons

Do I suit this one?

Don’t tell me the truth

String me along

Don’t tell me, don’t admit

That I look like a twit

The pink straw trilby

Will be

Going to charity shop

In the drop of a hat because

I look rather silly

Like I’m serving In a Deli

The embellished pink is dandy

The colour of bubble candy

But too fancy for me

I’d rival a Christmas tree

The 20s cloche is somewhat posh

This vintage find is quite sublime

It suits all faces, times and places

Kate will have to dream

She could try her schemes

But she’ll have to wait

To a much later date

I so love this hat

So there’s the end to that

It makes me taller, thinner

Everyway a winner

So give me a hat

Homburg, trilby or flat

Whatever the reason

Whatever the season

I love a hat

 


Sunday School Hat

By

Lynda McCraight

 

I was born in 1954, but I remember a particular hat I had to wear for Sunday School in the 1960s. It was white and very stiff, shaped round the edges to incorporate where your ears were and had a very thin, red, velvet ribbon tied around it. I think Mum said they soaked the fabric in sugared water to make it stiff.

We always had our Sunday School Anniversary about May time and did a morning procession around the mining village where I lived, singing hymns we’d rehearsed for weeks and carrying a big banner, a bit like those carried by miners on marches, and were accompanied by  a little brass band, maybe the Boys Brigade.

I remember wearing a Sunday best coat with a velvet collar and white ankle socks with some kind of ornamentation at the top like a frill, and being allowed a new dress from C & A in Nottingham, as long as it didn’t cost any more than £1/19/11. I also had little white net gloves and new shoes from Alfreton Market. One pair I had was odd. They were essentially a beige colour but one had become lighter than the other. I hated that pair, and sitting on the platform erected at one end of the Methodist Chapel, I dared myself to kick them down through the platform, to the floor below, and spent the rest of the service standing in my socks!

It seems strange when you think about what young girls wear today. We were essentially an imitation of our mothers but it didn’t necessarily make us ladylike. I was a right little beggar, especially at the Anniversary. One year I volunteered to recite a poem and learned it off by heart but when it came to my turn to recite, I refused to do it. They called my name three times and I just refused to stand up – maybe it was the year I was standing there in my socks.

Mum sat at the back with my baby brother and punished me by buying him and my sister an ice-cream on the way home – but no ice-cream for me, and I was sent to bed as soon as I got home. I hadn’t realised how ashamed my mum had been by  that incident – all I could remember was thinking I’d managed to rebel against the Sunday School rules. However, when I was 14 and thinking I’d be asked to become a Sunday School teacher, they said, “Sorry, but there are no vacancies.” And that marked the end of my relationship with the Chapel.

 

 

Hat Box

By

Neville Raper

 May 2017

 

Rob felt like Howard Carter at the tomb of Tutankhamun, except right now, instead of sand, it was mainly dust he was sweeping away.

The door to the walk-in cupboard was stiff, probably hadn’t been opened in years.

This wasn’t unusual to Rob; he’d been in the house clearance business for about ten years.

This property had been empty a while, although it was hard to estimate how long. Rob considered anywhere between two and two thousand years.

Rob pulled at the door handle; the hinges shrieked in indignation.

The interior was gloomy, to his left was a pull chord connected to an ancient looking

Bulb. “There’s no way this will work” he muttered to himself. To his complete surprise, it burst into light, instant sun in the confined cupboard.

“made to last” he chuckled.

He was confronted by a stack of identical cardboard boxes. Each a dirty brown colour and about twenty inches square.  Stacked from floor to ceiling, a wailing wall of storage.

There were no markings on them, completely anonymous.

Whoever had put them there had made a great job of arranging them, boxy brickwork.

Rob eyed them up and down; he reached up and forced his finger tips either side of one of the highest boxes. He pulled it gingerly towards himself. He knew by painful experience to be careful when moving such, mystery, containers.

Too many times in the past he’d come a cropper when the contents had been much heavier than he’d expected. He’d lost count how many times he’d woken up, on the floor confused, with a bump on his head.

To his delight, the box felt light, he pulled. Everything he saw next was in exquisite slow motion. The whole cardboard construction fell in an avalanche of organisation. He was sure that when the boxes fell they left behind a perfect shadow of dust suspended in the air, a dirty negative.

The whole wall collapsed upon him, buried in storage,  as if this wasn’t bad enough,  a split second later, the dust followed it.

Rob laid where he was for a few minutes, waiting for any injury to manifest itself.  After feeling no real pain, or the wetness of blood, he sat up.He checked himself, particularly his bare legs below his old cargo shorts. To his relief, the boxes all appeared to be as light as the first and fell off him easily.

One of the cardboard containers had tipped over, and the contents had fallen out. A hat.

Rob picked it up and looked at it. A straw boater in excellent condition, in fact, it looked almost new. The straw weaved into the construction was bright and fresh with an aroma of sweetness. The band that ran around the crown was bright blood red. The hat showed no sign of age.

Rob did what most people would do in this situation; he popped it on. Immediately, he felt a shift in his equilibrium. A smell of wet vegetation assaulted his senses, and he could hear the drone of summer insects close to his ears.

His arms ached from exertion, and a trickle of sweat ran down his back. Rob looked into his hands and could see the shadow of something substantial there. He squinted and could make out what appeared to be handles of oars. He felt the resistance of liquid weight, ebbing and flowing. Suddenly a voice made him start. Another shadow manifested itself about two metres away. The image wavered and wained like the water he could feel flowing past his arms. He focused, and beautiful young women crept into view. Like a portrait looked at through a rain soaked window, she seemed to warp and run.

“Oh Bertie, what a wonderful day for an aquatic adventure”.

Rob snatched off the boater; reality snapped back into full fact focus. He reached up and touched his face; it was covered in a thick layer of dust. Rob used his T-Shirt to rub some of it off.

He must have bumped his head, he thought, although he wasn’t aware of losing consciousness. The irony of this wasn’t lost on himself.

He moved and removed the lid of another box. This time it revealed a bright yellow helmet. He picked it up in his hands. It was a fireman’s helmet; it looked like it was from the second world war. Once again, it looked new, unused. The visor was clear with no scratches, and the leather straps used to attach to the head smelled clean and freshly tanned.

Rob hesitated but wanted to ensure that what just happened with the boater was just dust in his eyes and a bang to the head. He slid it on.

Immediately, the smell of acrid dense smoke filled his lungs; he retched into his mouth. He felt an intense heat. Looking down, he saw the hairs on his arms and legs shrivel and oxidise on his skin. They broke off and mixed with the dust.

Rob felt his clothes tighten, the material within them reacting to the temperature. He couldn’t see anything. The smoke was a black hole eating oxygen and light in equal measure. He looked at his hands and was terrified to see blisters starting to form. As he stared, one popped, and viscous fluid ran down his wrist. He’d seen and endured enough. Struggling, Rob felt the strap melting into his chin. He scratched and clawed, managed to get his nails underneath and threw the helmet off. To his disgust, he could see tendrils of his charred skin follow it.

He clenched his teeth and fell to the ground; he rolled around and around in the dust to extinguish himself. He slowly stopped when he realised he was untouched and unmarked. He looked at his hands; they were perfectly intact and unmarked.

 

Dave, the site foreman, popped his head through the room door.

“You OK Rob? I heard a bang.”

“Yeah, I’m alright thanks, think I’ve inhaled too much dust from this cupboard, I’m gonna finish early.”

“You should have worn a facemask, you daft lad!”

“I know that now” Rob shrugged with embarrassment.

“OK Rob, see you tomorrow.”

 

Rob gathered up his belongings. As he did so, he saw another open box near the door. Hanging out was a brand new bowler hat. A tsunami of nostalgic warmth washed over him. He remembered as a child watching old black and white comedies with his Dad. Harold Lloyd, Buster Keaton, Laurel and Hardy and of course, Charlie Chaplin. His dad would love that hat.

As his hands were full, he took a chance and popped it on to his head. He waited for some terrible vision or event but nothing happened, relieved, he walked out of the room.

He left his possessions behind.

Dave shouted after him, “see you Rob, nice hat.”

Rob turned and scowled at the foreman. Dave felt that stare in his very bone marrow, the smirk he had on his face dropped immediately.

Rob walked out into the busy street. He looked up and down until he saw what he needed.

“Taxi!”

The cab pulled up, and Rob got into the back. Although his body felt the cool leather seats on his bare legs, his brain didn’t register it. He was deep in thought.

“Where to pal?” The driver cheerfully asked.

“I am not your pal, my good man” Rob retorted.

“Sorry mate, so where to?”

Rob rubbed his hands together. So much unfinished business to be attended to, so much yet to do.

“My title driver is Doctor.”

“OK, Doctor” the driver responded sarcastically, “Where do you want to go?”

“I have lot’s to do” responded Rob.

“Well, the meter is ticking…”

“Rillington Place, number 10” a wide smile broke out on Rob’s face or rather the shadow that was Rob’s face. It was slowly fading away.

 

 

Monday, May 22, 2017

Sporting Memories


We have recently developed a sixth reminiscence box which is available to borrow from Sandal Library, for all Wakefield Library card holders.


 

This Sports themed box was developed on the suggestion of people who have been using our other 5 boxes.

 

From ‘Spokey Dokes’ to a vintage bowling ball this new box contains objects linked with  sports such as football, cycling, golf and cricket. Each of the objects has an information sheet with suggested ideas for discussions and activities. These have been developed for use with groups of people or on a one to one basis.

 

Some of the objects have kindly been donated for use in the reminiscence box. A Castleford Tigers fan donated a shirt for reference to rugby and the team he supports. There are items from Hemsworth & District Clay Pigeon Club – some people may not think this a sport. The club secretary but in many hours creating a file of information to support the objects donated and to explain this sport in more depth – for this we give thanks as this is not something we had knowledge to produce.


 

There is also a photo pack to accompany the box which contains images from Wakefield Museums collections and has been enhanced with image within Wakefield Libraries collections. Images are printed on white card with supporting text printed on yellow card for people who have sight impairment or dementia.

 

Since completing the Sports box we are looking to develop a seventh box upon the theme of Rugby. With our district having three rugby teams, (Castleford Tigers, Featherstone Rovers and Wakefield Trinity) and each of these having such strong local support it was thought that a box designated to the one sport would be of interest to many people. We are sure there will be many stories and memories that people have from playing rugby at school or for a professional team, from watching your favourite team in the final or your favourite player score the best try ever seen the box will provide object to prompt discussions no matter which team you support.
 
If you would like to borrow one of reminiscence boxes, please contact the dementia-friendly Sandal Library: 01924 303355 or email.

Tuesday, May 16, 2017

West Yorkshire Local Authority Museum Partnership Audience Development Commission

Commissioned by Wakefield Council Museums Service on behalf of West Yorkshire Local Authority Museums Partnership [WYLAMP]

We are looking for an experienced audience development specialist to develop and test a programme of promotional activity working across the WYLAMP group with the aim of sharing expertise and increasing visitor figures.
Context:
WYLAMP
WYLAMP is a partnership between the five West Yorkshire Local Authority museum services to share best practice, encourage collaborative working and promote the value and benefits of Local Authority museums.  The partnership includes Bradford; Calderdale; Kirklees; Leeds and Wakefield.
Starting Conversations Research
In 2016 WYLAMP commissioned some audience development research that investigated what motivated people to visit and then recommend our venues.
A new level of insight into visitor behaviour revealed the building blocks of recommendation, and suggested ways to use these for development. The study describes how a recommendation is formed by many factors; by a great visit; and within that, by something that we don’t always think so much about – the ability to fit into people’s lives. In addition, there are quite separate social factors: the motivations for making any recommendation.
The research suggested that the goal is to ‘start conversations’, with and between visitors. Conversations help museums engage visitors, and reach the depth that museums want to achieve, but it is also a key benefit of museum visiting. Starting conversations also pays back in more visitors: for the WYLAMP group, the majority (around 70%) of its visitors will be attracted in this way, through recommendation, or positive word of mouth.
The ‘Starting Conversations’ report contained eighteen recommendations for action.  As part of Wakefield Museums Arts Council Resilience Round Two project we have secured funding to develop and test some audience development approaches based on the Starting Conversations recommendations.
Purpose of the Work
The purpose of the work is to develop a set of practical audience development approaches that can be used by the WYLAMP group to:
  • Increase visitor figures
  • Share expertise
  • Use existing audience development resources effectively and efficiently
  • Develop and encourage cross-over visits
Deliverables
  • Work in partnership with audience development and marketing staff across WYLAMP to develop and test mutually beneficial audience development approaches based on the ‘Starting Conversations’ recommendations.
  • Evaluation of test approaches.
  • Preparation of ‘how to guides’ to ensure a workable and practical legacy of the project.
  • Report of findings, summary,  recommendations to be prepared
  • Presentation of findings to WYLAMP
Fee
A fee of no more than £9500 (plus VAT if applicable) payable on receipt of an invoice and paid in instalments as agreed.    This includes all costs for delivery of test projects.
Timeline
Jun 17
Jul 17
Aug 17
Sept 17
Oct 17
Nov 17
Dec 17
Jan 18
Feb 18
Mar 18
Selection process
Familiarisation and set up
Develop programme of activity
Test and review approaches
Evaluation, ‘how to guides’ and final report
 
How to apply?
To apply for this commission please send the following information to mayaharrison@wakefield.gov.uk by 12 noon on Thursday 15 June 2017:
  • Outline of how you propose to carry out the project including  a timeline
  • Budget outline for delivering the work
  • Details of your experience delivering similar projects
  • Details of two referees for work you have completed recently

Monday, May 15, 2017

Half Term is fast-approaching!

Half Term holidays are approaching faster than we thought possible!

No need to panic though - there is lots of fun to be had at Wakefield's Museums and Castles!


Click on image to enlarge
All of these activities are free, and most don't require booking.


To see the full list of bookable family (and adult) sessions, visit www.wakefield.gov.uk/MuseumEvents

Wednesday, April 19, 2017

Take a Great Selfie


Pop into Wakefield Museum on Friday 21 April to get some hints and tips on how to take a great selfie.


Photographer Paul Duck will be on hand to help you create the perfect pic!







Friday 21 April
11am to 3pm


Free, suitable for all ages.


Wakefield Museum, Burton Street, Wakefield, WF1 2EB


When you have snapped your picture why not let us have a look by posting on Facebook or Twitter @WFMuseums #WakeyMuseum

Friday, March 24, 2017

Family Fun

Get creative and have fun with free 'Family Fun' sessions at our museums every Saturday. 


Come along to the museums between 11am and 3pm to  join in with crafty activities.


There will be something different to do each week.






When you've finished making you can then explore the museums, where you'll find loads of great child friendly displays. 








Each museum has things for families to get involved with amongst the displays.  From dressing up to getting hands-on the museums are jam packed with family fun!






Family Fun Sessions are every Saturday 11am to 3pm at


Castleford Museum
Pontefract Museum
Wakefield Museum